With the Behringer B-2 Pro, you're already ahead of the curve. This entry-level large-diaphragm mic has enough facilities to grow with your needs, and also comes complete with case and suspension shockmount. It can stand SPLs of up to 138dB (148dB with the pad switched in), so loud sound sources won't scare it, and the 'A'-weighted signal-to-noise ratio is between 76dB and 78dB depending on the pattern setting. Behringer B-2 Pro. Email us Timings: Mon-Sat 01 PM to 9:30 PM Timings: Mon-Sat 01 PM to 9:30 PM It utilises a one-inch, dual-diaphragm capsule, FET transformerless electronics, and, on looking inside, I have to say that it's just as well put together as any of the other budget Chinese-built microphones I've reviewed recently. We will test these microphones on voice for … I played Fuzzmeasure’s sweep tone through uncorrected studio monitors and the image below compares the two microphones’ frequency responses to each other. 3 anos garantia Thomann Garantia de 30 dias dinheiro de volta. B-2 Pro Large Diaphragm Multi-Pattern Studio Condenser Microphone from Behringerfeatures a pressure-gradient, gold-sputtered, dual-diaphragm capsule that delivers a transparent 20 Hz to 20 kHz frequency response while handling SPLs up to 135 dB (145 dB with pad), resulting in clean, transparent audio even at transient peak levels. The capsule’s housing has an outside diameter of 17.2mm; the diaphragm diameter is presumably 10-14mm. Along with it, there is switchable attenuation and accessories for shock mount and windscreen. That said, the response curves vary wildly and the character as well as detail that can be captured varies to the point of absolutely mind blowing. Very strong low end (I use this mic primarily as a kick drum mic these days about 2' back). For inputs, this monitor provides an XLR connection point, as well as a 1/4" TRS balanced and an RCA unbalanced termination. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. The frequency response I measured is relatively similar to an SM58's, but somehow the small differences on paper add up to a much bigger difference in reality. Discuss: Behringer EUROLIVE B112D - speaker - for PA system Sign in to comment. With their tough metal construction, you can count on the SL mics to come through after countless gigs and studio applications. In combination with appropriate test hardware, it can be used to benchmark loudspeakers, diagnose room modes, and so on. The mic has a frequency response ranging from 30 Hz to 20 kHz and has cardioid, figure eight, and omni directional pick up patterns to choose from. You may need to use some EQ to taste around the highs, though, if using on drums. FREE shipping. Why Are Some A-B Stereo Arrays Angled Outwards? Behringer B-2 PRO Condanser Mikrofon. Microphone Set USB studio large diaphragm microphone with USB connection for direct operation on the computer, No additional drivers required, Directional characteristic: cardioid, Frequency response: 30 - 18000 Hz, Sensitivity: 25 mV / Pa, Max. Ok, I’m not going to dive into exactly how those parts are made, or the quality … Behringer C-1 Cardioid Condenser Microphone. 50+ videos Play all Mix - Behringer C-2, Shure SM57,Rode NT-2 Comparsion YouTube Recording Drums 101 - Tom mic comparison- Shure sm 57, Beta 57, 98, Sennheiser e604, AKG D112 - … The shockmount is of the type that grips the mic body, as opposed to the type that mounts to the mic base using the locking ring — and there's also a foam wind shield. Tel: +49-9546-9223-30 . The Behringer C-1 is a side-address, transformerless condenser. Behringer B2 Pro Condenser Microphone is acing the list of a versatile microphone with a high-end large-diaphragm condenser. The NEKKST K8 from Behringer is a bi-amped, powered studio monitor designed for critical listening in a mixing environment. In order to navigate out of this carousel please use your heading shortcut key to navigate to the next or previous heading. The overall performance here was decent. Capsule photo by Juan Villar Buzón. The C-1 has a frequency response of 40 Hz-20 kHz. Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. SB 78A mics are capable of capturing much more detail than most dynamic microphones because of their wider, flatter frequency response. The Behringer B-2 Pro is a multipattern large diaphragm FET condenser. Google ile Bağlan. Technical specifications and appearance are subject to change without notice. Fig. The B-2 is an affordable, high-quality way to put this essential studio tool to work for you. All rights reserved. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. I usually find in most situations you're gonna want a small HF empasis of a few dbs on vocals. The flat frequency response allows for a brighter sounding setup, whilst you can take full control of the bottom end with switchable low frequency roll off. Behringer B2 Pro versatile use in most recording scenarios. I love this mic. Hızlı ve güvenli alışverişe giriş yapın! It is an XLR microphone, and requires phantom power. Features: • Professional 1" gold-sputtered dualdiaphragm condenser microphone. Bandrew Scott is the founder and host of the youtube channel Podcastage, where he posts reviews of audio gear, and shares tips and tricks to improve the audio of your Podcast, YouTube Channel, or Live Stream. I'm a big fan of the Behringer B-1 and I own several. 3. A 3-way switch on the front of the microphone enables a 10dB pad or high-pass filter (one or the other, not both). However, a proper pop shield is essential for studio vocal recording, as foam shields are insufficiently effective for close vocal use and may compromise the tonality of the microphone. On the front you will find a 3-way polar pattern selection switch to move between the cardioid, omnidirectional, and bi-directional polar patterns.
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